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Men Of Tomorrow: Geek, Gangsters, and the Birth of the Comic Book

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0465036570

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Recommended By

gad.

Planning on Reading

b. schatz.

Suggested To

Shelley Rees.

Book Details

Written by Gerard Jones.
Buy this on Amazon ($15.00)

Editorial Review (from Amazon.com)

Animated by the stories of some of the last century's most charismatic and conniving artists, writers, and businessmen, Men of Tomorrow brilliantly demonstrates how the creators of the superheroes gained their cultural power and established a crucial place in the modern imagination. "This history of the birth of superhero comics highlights three pivotal figures. The story begins early in the last century, on the Lower East Side, where Harry Donenfeld rises from the streets to become the king of the 'smooshes'-soft-core magazines with titles like French Humor and Hot Tales. Later, two high school friends in Cleveland, Joe Shuster and Jerry Siegel, become avid fans of 'scientifiction,' the new kind of literature promoted by their favorite pulp magazines. The disparate worlds of the wise guy and the geeks collide in 1938, and the result is Action Comics #1, the debut of Superman. For Donenfeld, the comics were a way to sidestep the censors. For Shuster and Siegel, they were both a calling and an eventual source of misery: the pair waged a lifelong campaign for credit and appropriate compensation." -The New Yorker

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gad thinks this book is Good.

Let me start with a couple of caveats. The focus of this book is not for everyone. It will likely be of some interest to those generally interested in popular culture and 20th century history. It's primary audience, however, consists of the geeks alluded to in the subtitle. (I count myself as a geek wannabe.)

Organized primarily around the evolution of Superman, Men of Tomorrow branches out to consider the cultural influences and the interpersonal relationships that shaped the growth of the comic book industry. Fans and readers of comic books will learn some interesting tidbits related to the creation and development of some of the industry's most iconic characters. However, I find Jones's book most interesting as lens illuminating the larger cultural shifts taking place during the 20th century. While the book sometimes falls into passages of industry-specific details that seem a bit tiresome, Jones generally does a very nice job of providing those details within a structure that generates interest and engagement on the part of the reader. The central thread of Superman's evolution--and the ups and downs confronted by his creators--ultimately provide an emotional weight and significance that makes this book more than simply a chronicle of historical minutia relevant only to the geeks.