The Widow
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Written by George Simenon and Paul Theroux.
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Editorial Review (from Amazon.com)
The Widow is the story of two outcasts and their fatal encounter. One is the widow herself, Tati. Still young, she’s never had an easy time of it, but she’s not the kind to complain. Tati lives with her father-in-law on the family farm, putting up with his sexual attentions, working her fingers to the bone, improving the property and knowing all the time that her late husband’s sister is scheming to kick her out and take the house back.The other is a killer. Just out of prison and in search of a new life, Jean meets up with Tati, who hires him as a handyman and then takes him to bed. Things are looking up, at least until Jean falls hard for the girl next door.
The Widow was published in the same year as Camus’ The Stranger, and André Gide judged it the superior book. It is Georges Simenon’s most powerful and disturbing exploration of the bond between death and desire.
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Dale Brayden thinks this book is Excellent.
The Widow is an extraordinary little novel. Written in 1940 and published in 1942, it is a dark and intense gem. Like the very best Hitchcock movies, this novel conveys a sense of inevitability, tragedy waiting to happen.
The introduction by Paul Theroux mentions that The Widow was published in the same year as The Stranger by Albert Camus. The Stranger went on to become part of the modern canon; The Widow has been mostly ignored or forgotten. At the time of publication, Andre Gide thought The Widow was the better book, and Theroux agrees. Certainly the characters are better and more fully drawn in the Simenon novel. It is not an abstract study, but a kind of cinema verite.
This edition is one of the New York Review reprints and is very well worth reading.